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Melbourne Symphony Orchestra

Chief Conductor

National Symphony Orchestra of Ireland

Chief Conductor

Los Angeles Chamber Orchestra

Music Director

Orquesta y Coro Nacionales de España

Principal Guest Conductor

In 2022, Spanish conductor Jaime Martín takes on the position of Chief Conductor of the Melbourne Symphony Orchestra. Since 2019 Jaime has been Music Director of the Los Angeles Chamber Orchestra, with his appointment now extended up to 2027, and Chief Conductor of Ireland’s RTÉ National Symphony Orchestra. He was the Artistic Director and Principal Conductor of  Gävle  Symphony Orchestra from 2013 to 2022, and was recently announced as the Principal Guest Conductor of the Orquesta y Coro Nacionales de España (Spanish National Orchestra) for the 22/23 season.


Having spent many years as a highly regarded flautist, working with the most inspiring conductors of our time, Jaime turned to conducting full-time in 2013 and has become very quickly sought after at the highest level.  Recent and future engagements include his debuts with the Dresden and Netherlands Philharmonic Orchestras, return visits to the London Symphony, Sydney Symphony, Spanish Radio Symphony Orchestra (RTVE), Antwerp Symphony, Colorado Symphony, Gulbenkian and Indianapolis Symphony orchestras, as well as a nine-city European tour with the London Philharmonic Orchestra.

In recent years Martín has conducted an impressive list of orchestras that includes the Frankfurt Radio Symphony, Royal Liverpool Philharmonic, Royal Scottish National, Swedish Radio Symphony, Barcelona Symphony, New Zealand Symphony, Queensland Symphony, Deutsche Radio Philharmonie Saabruecken, Essen Philharmonic and Philharmonia Orchestras, the Academy of St Martin in the Fields, Saint Paul Chamber Orchestra and the Orchestre Philharmonique de Radio France.  He has forged strong relationships with renowned soloists such as Anne Sophie von Otter, Joshua Bell, Pinchas Zukerman, Christian Tetzlaff and Viktoria Mullova, among many others.  Martín has also commissioned multiple world and regional premieres of works by composers Ellen Reid, Andrew Norman, Missy Mazzoli, Derrick Spiva, Albert Schnelzer and Juan Pablo Contreras.  


Martín is recording a series for Ondine Records with the Gävle Symphony Orchestra; this includes the Brahms Serenades, Songs of Destiny, Brahms choral works with the Eric Ericson Chamber Choir, and a recording of the Brahms Piano Quartet arranged by Schoenberg, which was released in February 2019. He has also recorded Schubert Symphony No. 9 and Beethoven Symphony No. 3 Eroica with Orquestra de Cadaqués and various discs with the Barcelona Symphony Orchestra for Tritó Records. In 2015 he recorded James Horner’s last symphonic work Collages for four horns and orchestra with the London Philharmonic Orchestra.


As a flautist, Martín was principal flute of the Royal Philharmonic Orchestra, Chamber Orchestra of Europe, English National Opera, Academy of St Martin the Fields and London Philharmonic Orchestra. Also sought-after as a soloist, he made a recording of Mozart flute concertos with Sir Neville Marriner, the premiere recording of Sinfonietta Concerto for Flute and Orchestra written for him by Xavier Montsalvatge and conducted by Gianandrea Noseda, and Bach works for flute, violin, and piano with Murray Perahia and Academy of St. Martin in the Fields for Sony.  

Martín is the Artistic Advisor and previous Artistic Director of the Santander Festival. Over the last five years he has brought financial stability and created a platform for some of the most exciting artists in their fields, ranging from symphony orchestras and baroque ensembles to education workshops and ballet companies.  He was also a founding member of the Orquestra de Cadaqués, with whom he was associated for thirty years, and where he was Chief Conductor from 2012 to 2019.


Jaime Martín is a Fellow of the Royal College of Music, London, where he was a flute professor. He now enjoys working with many of his former students in orchestras around the world.


"Martín expertly teases out the orchestral textures, allowing us to appreciate the subtlety of Brahms’s string- and woodwind-writing"

                                      - Tim Ashley, Gramophone

"Martín’s detailed performance took on heady swagger, and his infectious enjoyment of the music communicated to the orchestra and audience alike"

                                             - John Allison, The Telegraph

Guest Conducting

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